2005 Music Part I: Honorable Mentions

Well, I’ve been taking my time with the release of this list, and I’ll keep on taking my time. Below are the albums of 2005 that didn’t quite make my top 20. There will, of course, be an actual top 20 list to follow in the approaching time periods.

…And You Will Know Us By The Trail Of Dead, Worlds Apart

Trail of Dead came back in 2005 with an album that never got as much respect as their previous release, Source Tags and Codes — but that’s OK. This is a different album, and that much is clear. Fortunately, it’s a good album: the operatic qualities of Source Tags… were diminished for a more thoroughly math-rock sound, which works.

Blackalicious, The Craft

I hadn’t considered Blackalicious much more than a smooth rap group with middle-of-the-road production and relatively strong lyrics until this album, which is produced much better than past efforts. It’s fun and easy to listen to, and it’s solid enough to warrant an honorable mention.

Consafos, Tilting at Windmills

Not too many people have heard of Consafos, but that isn’t stopping them: they’re one of those new folk/rock/country acts. Think Jenny Lewis-style vocals, recent Bright Eyes-style instrumentation, and Tilly and the Wall-style songwriting. So it shouldn’t surprise you that Consafos are also on the Saddle Creek label (which is SO hot right now).

Decibully, Sing Out America!

Yeah, another folk/rock/country act, but this one is special, too! Think Arcade Fire influences in some songs! And jazz/blues influences in other sings! And opportunities to dance awkwardly!

Eisley, Room Noises

This is such sweet pop music that it’s easy to forget that it’s pretty original stuff. If I had to compare, I’d describe it as a Tori Amos-style vocalist singing Coldplay-style songs, but for some reason it’s better than it sounds.

Fischerspooner, Odyssey

Proof that Fischerspooner’s career has a lot to do with waves (sound waves AND popularity waves — get it?), this stuff was pretty much trashy pop music a few years ago. Now, of course, it’s over-hyped new-wave/no-wave/post-wave music, and it’s totally in right now. And Fischerspooner are still good at it.

The Hold Steady, Separation Sunday

Behind the veneer of the pseudo-punk vocals (a la Rancid) and middle-range rock instrumentals is a cohesive coming-of-age (and religious awakening) story that’s both fun and smart at the same time! Other Hold Steady music has had a hard time keeping my attention, but this is pretty good.

John Vanderslice, Pixel Revolt

J-Slice has long been a favorite of mine, with his sardonic lyrics and complicated instrumentals. This is his first solo release that I think truly showcases his talent as a producer as well as songwriter.